Ottoman Izmir: The Rise of a Cosmopolitan Port, 1840-1880.

• Author: Bastea, Eleni
• Position: Book review

Ottoman Izmir: The Rise of a Cosmopolitan Port, 1840-1880

By Sibel Zandi-Sayek

Minneapolis: Minnesota University Press, 2012, 273 pages, ISBN 9780816666027.

Sibel Zandi-Sayek's Ottoman Izmir: The Rise of a Cosmopolitan Port, 1840-1880 makes a major contribution to the fields of urban history, Ottoman studies, and modernization. As shown in this rich and meticulously researched work, Izmir, a city of commerce, fluid alliances, and "cross-national encounters" (p. 1), was also a microcosm of a larger world in flux. Izmir--Smyrna, Smyrne, Smirni, Ismeer--was an arena of debates and multivalent experiences, a city that eluded "a standard nomenclature" (p. 9). Izmir's pre-1922 history has received limited attention, as most scholars have focused on the demise of the Ottoman city, the 1922 fire, and the expulsion of its Christian-Greek population. Ottoman Izmir helps address this lacuna, making a significant contribution to our understanding of modernization through the prism of urban and architectural developments.

The study begins with a comprehensive introduction, "A World in Flux," followed by four chapters: "Defining Citizenship: Property, Taxation, and Sovereignty"; "Ordering the Streets: Public Space and Urban Governance"; "Shaping the Waterfront: Public Works and the Public Good"; and "Performing Community: Rituals and Identity." Zandi-Sayek captures the continuous tension between the familiar and the new, as the state and the municipality attempt to consolidate earlier disparate practices into a new centralized system. We follow the gradual ordering of public space in a city where different groups of citizens enjoyed unique sets of privileges. These differences among the city's many groups are reflected most clearly in the discussion of the waterfront development (1869-75), the city's most ambitious infrastructure project.

As Zandi-Sayek demonstrates, the city's inhabitants were continuously "dodging conventional communal boundaries and forming coalitions of shared interest across communal lines when it suited their needs" (p. 2). By depicting the rituals of religious and national ceremonies, she captures the fluid use of space and social groups, pulled together but also divided within the city's multiethnic society. Similarly, the lines between religious and national holidays began to blur, as allegiance to one brought allegiance to the other as well.

Articulate and engaging, Zandi-Sayek's narrative captures the panorama of...